DasArts / Master of Theatre

Master Proofs in Spring Semester 2010
1 February 2010 - 31 August 2010

Master Proof students and individual advisors:

Ivo Dimchev (BG)
individual advisor: Igor Dobricic (SRB)
Cille Lansade (DK/F)
individual advisor: Zhana Ivanova (BG/GB)
Miguel Angel Melgares (E)
individual advisor: Sanne van Rijn (NL)
Snejanka Mihaylova (BG)
individual advisor: Silvia Bottiroli (I)
Camilla Milena Fehér (D)
individual advisor: Igor Dobricic (SRB)
Nir Nadler (NL/IL)
individual advisor: Lucas Evers (NL)
Stephanie Pan (USA)
individual advisor: Harco Haagsma (NL)
Nadia Tsulukidze (GE)
individual advisor: Bojana Mladenovic (SRB)

Descriptions of content:

Cille Lansade
THE ONION PROJECT (work in progress)

Is a lecture-performance about the Physicality Of an Emotion. We will be measuring the amplitude of the non-controllable impulse of crying in a series of experiments, in which we will be deconstructing the action of crying. Emotions leave their traces in our body and our mind. We will interrogate the workings of memory, but not necessarily memory as guarantor of history and truth but as an enigmatic composition of the interrelation between perception and consciousness.

The onion project is a part of the DasArts Master Proof and a production of “Company Dorina Fauer”

Direction Cille Lansade, Performers Pierre-yves De Jonge, Mille Lundt, Cille Lansade and Jean-benoit Mollet, Sound Pierre-yves De Jonge, Dramatic advisers Delphine Lanson and Zhana Inovana

Miguel Angel Melgares (E)
Portrait of a wet country
Portrait of a wet country will be an interdisciplinary project, which main goal is to analyse some of the multiple realities that put together the Dutch culture, trying to be a reflection on different matters that are taking place in The Netherlands and which I think are remarkable.

Portrait of a wet country will be a series of performative installations. The structure will be in a continuous development, connecting the subjects of the different installations and the performances. The constellation of all the works happening over time will make a portrait in a broader sense.

Portrait of a wet country will be a poetical and political art work that has a starting point my fascination for windows and curtains when they are closing and opening, the water reflection that gives us another reality but in an inverse direction, the sound of the bird when it is being shut up by the planes passing by in the sky, the equilibrium of a country that needs to be supported by the human hand, other way, it will collapse.

http://melgareslagos.blogspot.com/

Snejanka Mihaylova (BG)
Language

To Read What Was Never Written
A piece of writing can only exist in the form of the already “given”. The already is a state of anticipation. Writing does not postpone a given event captured in signs to be deciphered: it is an act in which every word puts an end to itself, anticipating the sense that resides in the interval to which the word opens where it is precisely writing to be absent. Its sense is in an event and every event lacks its object.

Camilla Milena Fehér (D)
Tales from the Unfinished Alphabet
-NO story-

Like the brothers Grimm, collector of words, fairytales and creator of the first German dictionary, we collect stories, symbols, trying out an order.
When chaos starts to take over, people start to make lists.

1.) This performance is an attempt to understand something of eachothers stories, to work with chaos and the tension between meaning and no-meaning///DADA. Like all, we are in the middle of a web of family stories, dreams, facts & fiction.
2.) Unfolding different lines, by video/text & music, the viewer is invited to edit the threads together. A RAUM-ORIGAMI-CONCERT.

Concept/Video/Appearance/Schock: Camilla Milena Fehér
Gabrielle Simone Uetz:Dance/Aprentice/Deer
Alfredo Genovesi: E-Guitar/Rattenfänger/Nightinggale
Steve Heather: Drums/King/Wilhelm Grimm
Hilary Jeffrey: Trombone/Magician/Jacob Grimm
Robert: DrumDouble
Dramaturgy: Igor Dobricic

Nadia Tsulukidze (GE)
READY FOR LOVE
or
Seven fragments of identity

'LOVE, when I am in it gives me the sense of completeness and belonging, a sense of acceptance for who I am all of me, belonging is the big thing.’
Bridget

The society constructs the individual, but on the other side the individual who, by confronting his historical context creates his own identity, which is not a solid finished thing, but a movement in process.
In this performance I am the author, the performer and I am my own biographical material. I am interested in relations between those three, in the process of creating an identity as a fluid and fragmented body.

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